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Dear You(2022) 致 你


Dear you is an open discussion about the relationship between artist and viewer, and it also discussed the distance of observing an artwork. It is an open invitation to let people pet the plant: Urtica (Brennessel). The feeling of touching the urtica may bring the physiological experience for the viewer, or psychological fears and bad memories come whistling back, which is also giving back the right to viewer to interact with artwork. The nettles in the installation are constantly stroked by the artist's cast hands, is this also an intervention in nature?



In this work, a decentralized concept "you" can refer to many things. Artist is sharing some experiences of embracing nature. And what is the relationship between human and nature and art when it is beyond the scene of Museum or gallery or a indoor space.
this claim that the nettles are part of this work,is an attempt to break this physical quadrangle.


《致 你》是一个关于艺术家和观众之间关系的公开讨论的开放式作品， 同时也讨论了观看艺术作品的距离。 这件作品是一个公开的邀请，邀请人们抚摸眼前的植物Urtica (Brennessel)，这是一种极为寻常的野草，但是触摸荨麻的感觉可能会给观者带来生理上的痛痒感，或者心理上的恐惧更或者是不好的记忆呼啸而来，这也是把与艺术品互动 的权利还给观者。在装置中的荨麻被由艺术家的手浇筑的模型不停抚摸，是否也是一种对于自然的干预?

在这件作品中，一个去中心化的概念”你“可以指代很多东西，包括一些拥抱自然的经验。而当这种场域超越了博物馆、画廊或室内艺术空间的场景时，人与自然和艺术之间 的关系是什么，这种声称(claim) 所见之处的荨麻都为这个作品的一部分，尝试去打破这种物理上的四方角落。